Astier de Villatte Folk Hand-Glazed Ceramic Vase
$300
Astier de Villatte Dragon Hand-Glazed Ceramic Vase
$400
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Since its inception in 1996, Astier de Villatte has struck the perfect balance between traditional and playful, tempering old-world charm with bursts of subtle humour. The founders claim to find inspiration in “anything from the past, any period, starting from the Neolithic” – a sentiment that the Dragon vase captures. Take a closer look at each foot and you'll spot the faint outline of a dragon's head.
Product ID: 2212606105
View more from: Astier de Villatte / Vases
-
Since its inception in 1996, Astier de Villatte has struck the perfect balance between traditional and playful, tempering old-world charm with bursts of subtle humour. The founders claim to find inspiration in “anything from the past, any period, starting from the Neolithic” – a sentiment that the Dragon vase captures. Take a closer look at each foot and you'll spot the faint outline of a dragon's head.
Product ID: 2212606105
View more from: Astier de Villatte / Vases
More from Astier de Villatte
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase
$162
Astier de Villatte Peggy Hand-Glazed Ceramic Large Raised Bowl
$475
Astier de Villatte Peggy Hand-Glazed Ceramic Raised Oval Platter
$240
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Round Vase
$170
Astier de Villatte Peggy Hand-Glazed Ceramic Teapot
$270
Astier de Villatte Peggy Hand-Glazed Ceramic Vase
$174
Astier de Villatte Peggy Hand-Glazed Ceramic Sugar Bowl
$168
Meet the maker:
Astier de Villatte
Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.
