Astier de Villatte - Clarabelle Hand-Glazed Ceramic Dinner Plate - - ABASK -
Astier de Villatte - Clarabelle Hand-Glazed Ceramic Dinner Plate - - ABASK
Shop the Look
Astier de Villatte - Clarabelle Hand-Glazed Ceramic Dinner Plate - - ABASK
Astier de Villatte - Clarabelle Hand-Glazed Ceramic Dinner Plate - - ABASK

Astier de Villatte Clarabelle Hand-Glazed Ceramic Dinner Plate

£86
Astier de Villatte - Clarabelle Hand-Glazed Ceramic Dinner Plate - - ABASK -

Clarabelle Hand-Glazed Ceramic Dinner Plate29cm (w) x 29cm (l) x 3cm (h) / 11.3" (h) x 11.3" (w) x 1.2" (l)

£86
Astier de Villatte - Clarabelle Side Plate - - ABASK -

Clarabelle Hand-Glazed Ceramic Side Plate22.5cm (l) x 22.5cm (w) x 2.5cm (h) / 8.8" (h) x 8.8" (w) x 1.0" (l)

£72
You can immediately recognise an Astier de Villatte design by the glaze alone; unique to the French ceramicist, it’s used over the top of black terracotta clay, meaning the pieces vary slightly from white to grey, with darker pockmarks where the glaze has retreated. This colour variation is celebrated in the Clarabelle collection, complete with dotted rims and speckled finishes indicative of the unique craft story.

View more from: Astier de Villatte / Dinner plates

You can immediately recognise an Astier de Villatte design by the glaze alone; unique to the French ceramicist, it’s used over the top of black terracotta clay, meaning the pieces vary slightly from white to grey, with darker pockmarks where the glaze has retreated. This colour variation is celebrated in the Clarabelle collection, complete with dotted rims and speckled finishes indicative of the unique craft story.

View more from: Astier de Villatte / Dinner plates

Astier de Villatte Clarabelle Hand-Glazed Ceramic Dinner Plate

£86

Shop the Look

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Meet the maker:

Astier de Villatte

Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.