Kaneko Kohyo Rinka Ceramic Dinner Plates (Set of 4)
US$260
ORDER BY 16th December for DELIVERY BY 24th December
ORDER BY 16th December for DELIVERY BY 24th December
In celebration of the exquisite craftmanship of ABASK’s Japanese makers, Danielle Demetriou—contributing author of Japanese Interiors (Phaidon) and expert on Japan’s culture and design history—explains the principles of Japanese design and how to live authentically with it in one’s home.
How many Japanese design principles are there?
"There isn't one single master list of rules, but Japanese design is deeply rooted in traditional Zen Buddhist aesthetics which are traditionally expressed in practices such as the tea ceremony, ikebana flower arranging, and calligraphy. These aesthetics share a number of key principles such as simplicity, harmony, an intuitive connection to nature, and negative space, and these core values play an elemental role in shaping modern design in Japan. The imprint of these values can be seen across the creative spectrum—from architecture and interior design to crafts and art—as well as in homes and the rituals of daily life."
Can you give some examples of these Japanese values?
"The most familiar is probably wabi-sabi. It’s one of many layered and untranslatable only-in-Japan concepts. It’s rooted in an appreciation for imperfection, impermanence, and the ever-changing beauty that accompanies the passing of time—just like in nature. It can be found in the faded patina of an old wooden house, the cracks of a ceramic teacup, the seasonal shifts in a garden. Like many Japanese aesthetics, it’s deeply tethered to a Zen awareness that nothing lasts forever, nothing is finished, nothing is perfect—so ultimately, it’s an invitation to savour the present moment and appreciate the beauty of the transience of life, right here, right now."
Kaneko Kohyo Rinka Ceramic Dinner Plates (Set of 4)
US$260
Kaneko Kohyo Giyaman Urushi Ceramic Serving Bowl
US$98
Kaneko Kohyo Rinka Ceramic Bowls (Set of 4)
US$188
Kaneko Kohyo Ikkonhai Ceramic Sake Cups (Set of 4)
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Kaneko Kohyo Giyaman Urushi Ceramic Coffee Cups (Set of 4)
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Kaneko Kohyo Giyaman Urushi Ceramic Dinner Plates (Set of 4)
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Kaneko Kohyo Rinka Ceramic Medium Bowls (Set of 4)
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Kaneko Kohyo Rinka Ceramic Large Serving Platter
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What are some famous examples of this concept?
"These ideas are expressed in the masterful woodturning creations of Shinichi and Yaesu Iida, whose abstractions are rooted in an elemental harmony with nature and mirrored in the organic forms and textured surfaces spotlighting the natural beauty of the aging wood. Ri Sanpei’s 13th-generation creations of sometsuke blue and white porcelain in Arita are a further reflection of these ideals, with the beauty of the pieces rooted in a balance between centuries-old human craftsmanship and a reverence for natural imperfection."
What other key ideas are there?
"Ma, the idea of negative space, is another important concept. This can refer to the spaces between musical notes, the unpainted white on a canvas, the silence in a conversation and more. It’s almost subconsciously incorporated into the essence of Japanese design and architecture—whether that’s a minimalist kettle design by Naoto Fukasawa or the serene play of light and shadows on the concrete lines in a Tadao Ando-designed building."
What is Ma, exactly?
"Ma is not just emptiness, it’s a meaningful pause that gives shape and meaning and a deep sense of possibility to what surrounds it, creating a holistic sense of harmony and balance. The Suzusan textiles created by the Murase family for five generations embody this idea of Ma. They specialise in a traditional dyeing technique called shibori, which involves twisting or tying textiles, and has the effect of creating ‘pauses’ or ‘voids’ of textiles which are untouched by color during the dyeing process. It’s these empty spaces that ultimately give shape to the beauty and depth of its form and design."
How can these ideas relate to domestic lives in the home?
"As well as Ma, other beautiful Japanese concepts include kanso—the idea of simplicity and elimination of excess; seijaku, a sense of tranquillity or silence; and yūgen, a subtle mysterious beauty that evokes emotions. There are many ways these values can be embodied in homes, from minimalist forms and uncluttered spaces to organic material palettes, blurred boundaries, and in-between colors mirroring the natural world. A key feature of traditional Japanese homes is a sense of transience: the spatial boundaries—typically sliding paper screens —are ambiguous and flexible, while the materials are temporary and drawn from the natural world, such as tatami, paper, wood, and soil."
Danielle Demetriou
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What is the most important element of this?
"An overall sense of wa—or harmony. A harmony not only between objects, humans, and space, but between the lightness of the structure and the surrounding nature. The invisible is also key, with the atmosphere—through lighting or scent—also playing a key spatial role. In terms of modern Japanese life, it’s of course not always realistic to create such top-to-bottom havens of serenity in contemporary city apartments. But there are countless touches that can hint at this, from the objects people choose to use and treasure in daily life to the presence of flowers and plants from nature."
Can you give us an example of how this comes together?
"A tea room perfectly expresses these ideas. Everything in this space is carefully contemplated, measured, and rooted in a respect for nature, materials, and spatial harmony. A pared-back minimalism is found hand-in-hand with the clean-lined proportions of the tatami mat room. There is always a tokonoma alcove with a hanging scroll and the micro-seasonal simplicity of something like a flower from nature. It’s a space for experiencing nothing but the present moment—through its sounds, textures, scents and tastes. Contemporary Japanese minimalism can often be traced back to the ideals of the tea room. You can find this in architecture, too."
What instances of architecture best capture this?
"A structure by award-winning architect Ryue Nishizawa at Shishi-Iwa House, a beautiful retreat in Karuizawa, is a contemporary riff on tea room aesthetics, with its dissolved boundaries between inside and out, plays on light and shadow, and expressions of Ma. Japanese product design is another key area where these ideals are often distilled—whether it’s the elegant form of a wooden tray hand-carved by Masashi Ifuji in Nagano, whose surfaces evoke the poetry of the natural world, or a contemporary electronics item, as they harmonise a sharply minimalist stripped-back aesthetic with intuitive functionalism."
Shining a light on the exceptional craftsmanship of our Japanese makers.
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