On his travels to ...
On his travels to Minnesota, Jonathan Wade felt connected to the folk art pottery reinterpretations of Japanese Mingei. Wheel-thrown into simple, hand-built forms, his low-impact, utilitarian tableware celebrate the impurities and irregularities of wild clay and wood ash glazes — which the founder personally collects himself. Every unique piece is designed to honour the rituals of cooking and eating.On his travels to Minnesota, Jonathan Wade felt connected to the folk art pottery reinterpretations of Japanese Mingei. Wheel-thrown into simple, hand-built forms, his low-impact, utilitarian tableware celebrate the impurities and irregularities of wild
On his travels to Minnesota, Jonathan Wade felt connected to the folk art pottery reinterpretations of Japanese Mingei. Wheel-thrown into simple, hand-built forms, his low-impact, utilitarian tableware celebrate the impurities and irregularities of wild clay and wood ash glazes — which the founder personally collects himself. Every unique piece is designed to honour the rituals of cooking and eating.