Astier de Villatte Folk Hand-Glazed Ceramic Vase
Bs2,400
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase
Bs1,300
Peggy Soliflore Hand-Glazed Ceramic Vase17cm (h) x 7.5cm (d) / 6.6" (h) x 2.9" (d)
Bs1,300
Peggy Soliflore Hand-Glazed Ceramic Round Vase21cm (h) x 9cm (w) / 8.2" (h) x 3.5" (w)
Bs1,350
Peggy Hand-Glazed Ceramic Vase17cm (h) x 9cm (w) / " (h X 9cm)
Bs1,400
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Each collection by Astier de Villatte is made with love (and plenty of joy) in the Parisian workshop, where designs are intended to be an extension of their maker’s mood that day. Beautiful with or without blooms, the Peggy vase is an elegant, graceful addition to the home. While variations in the milky-white glaze are a natural result of the handmade process, they’re also entirely intentional and reflective of the founders’ love for all-things imperfect.
View more from: Astier de Villatte / Vases
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Each collection by Astier de Villatte is made with love (and plenty of joy) in the Parisian workshop, where designs are intended to be an extension of their maker’s mood that day. Beautiful with or without blooms, the Peggy vase is an elegant, graceful addition to the home. While variations in the milky-white glaze are a natural result of the handmade process, they’re also entirely intentional and reflective of the founders’ love for all-things imperfect.
View more from: Astier de Villatte / Vases
More from Astier de Villatte
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase
Bs1,300
Astier de Villatte Peggy Hand-Glazed Ceramic Large Raised Bowl
Bs3,750
Astier de Villatte Peggy Hand-Glazed Ceramic Raised Oval Platter
Bs1,900
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Round Vase
Bs1,350
Astier de Villatte Peggy Hand-Glazed Ceramic Teapot
Bs2,200
Astier de Villatte Peggy Hand-Glazed Ceramic Vase
Bs1,400
Astier de Villatte Peggy Hand-Glazed Ceramic Sugar Bowl
Bs1,350
Meet the maker:
Astier de Villatte
Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.
