Pinto Paris Envol Hand-Painted Porcelain Coffee Cup and Saucer
£350
Back in Stock
Astier de Villatte Colbert Hand-Glazed Ceramic Small Mug
£96
Colbert Hand-Glazed Ceramic Small Mug10cm (l) x 7cm (w) x 8.5cm (h) / 3.9" (h) x 2.7" (w) x 3.3" (l)
£96
Colbert Hand-Glazed Ceramic Large Mug10cm (h) x 10cm (d) / 3.9" (h) x 3.9" (d)
£108
Select size
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Astier de Villatte's take on 'white ceramics' is anything but simple. The rich design story of the Colbert mug begins in Paris, where artisans craft by hand using black terracotta clay sourced from the Paris Basin. A bright-white glaze is then applied, intentionally inconsistent for an imperfect finish.
View more from: Astier de Villatte / Coffee & tea
Back in Stock
-
Astier de Villatte's take on 'white ceramics' is anything but simple. The rich design story of the Colbert mug begins in Paris, where artisans craft by hand using black terracotta clay sourced from the Paris Basin. A bright-white glaze is then applied, intentionally inconsistent for an imperfect finish.
View more from: Astier de Villatte / Coffee & tea
Back in Stock
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More from Astier de Villatte
Astier de Villatte Folk Hand-Glazed Ceramic Vase
£255
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase
£138
Astier de Villatte Peggy Hand-Glazed Ceramic Large Raised Bowl
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Astier de Villatte Peggy Hand-Glazed Ceramic Raised Oval Platter
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Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Round Vase
£146
Astier de Villatte Peggy Hand-Glazed Ceramic Teapot
£230
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Astier de Villatte Peggy Hand-Glazed Ceramic Sugar Bowl
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Meet the maker:
Astier de Villatte
Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.
