The Artist Studio

Richard Marquis Core Hand-Blown Glass Vessel

€2,090

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Richard Marquis has an encyclopaedic collection of ‘ordinary’ things in his studio to inspire his whimsical, witty and ever-evolving body of work. In his oeuvre, simple forms belie complex techniques and sentimental stories; the Core Vessel series, for example, utilises the murrine cane technique, which he favoured because of the infinite pattern possibilities that can result from the stretching and cutting processes. It’s a skill he mastered during his Venini fellowship in Murano during the 1960s/70s.

Product ID: 2201377002

View more from: Richard Marquis / Pots & jars

The Artist Studio

Richard Marquis has an encyclopaedic collection of ‘ordinary’ things in his studio to inspire his whimsical, witty and ever-evolving body of work. In his oeuvre, simple forms belie complex techniques and sentimental stories; the Core Vessel series, for example, utilises the murrine cane technique, which he favoured because of the infinite pattern possibilities that can result from the stretching and cutting processes. It’s a skill he mastered during his Venini fellowship in Murano during the 1960s/70s.

Product ID: 2201377002

View more from: Richard Marquis / Pots & jars

The Artist Studio

Richard Marquis Core Hand-Blown Glass Vessel

€2,090

Qty
1
More from Pots & Jars

Meet the Maker:

Richard Marquis

Glassblowing extraordinaire Richard Marquis has an extremely prolific archive, including several hundred snowmen sculptures from his annual Frosty series. During the late 60s, he undertook a fellowship in Murano with Venini, where he picked up new techniques – the most prominent being the murrine cane, a learning he brought back to the States and consistently applied to his work moving forward.

The Artist Studio is an exclusive curation of collectible artworks from global artists, specially selected by New York-based design gallery R & Company. Come visit us by appointment only at 82 Franklin Street Gallery in New York from October 31-December 21, 2024.

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