Ancient Greek Sandals Satin Slippers
$280
One of a Kind
Calla Mono Aili Babouche Slippers
$245
Other colours
Select size:
Size guideWe only have 1 left. To enquire about higher quantities, contact us here.
-
The Mono Aili Babouche slippers are handmade in Morocco from leftover fabrics founder Calla Haynes collected from couture houses across France and Italy. These textural combinations of silk, cotton, brocade and linen are woven by craftswomen in the Atlas mountains before the finishing touches are added in Marrakech. They are topped with detachable costume jewellery – in this case, vintage clip-on earrings – that have been scored at Parisian flea markets. Due to the unique sourcing process, every pair is different.
Product ID: 2201285008-parent
One of a Kind
Other colours
-
The Mono Aili Babouche slippers are handmade in Morocco from leftover fabrics founder Calla Haynes collected from couture houses across France and Italy. These textural combinations of silk, cotton, brocade and linen are woven by craftswomen in the Atlas mountains before the finishing touches are added in Marrakech. They are topped with detachable costume jewellery – in this case, vintage clip-on earrings – that have been scored at Parisian flea markets. Due to the unique sourcing process, every pair is different.
Product ID: 2201285008-parent
One of a Kind
You might also like
Ancient Greek Sandals Satin Slippers
$280
Ancient Greek Sandals Velvet Slippers
$280
Calla Mono Aili Babouche Slippers
$275
Marta Ferri Friulana Velvet Slippers
$350
Calla Niki Babouche Slippers
$210
Calla Mono Aili Babouche Slippers
$245
Marta Ferri Friulana Velvet Slippers
$350
More from Calla
Calla Niki Babouche Slippers
$210
Calla Mono Aili Babouche Slippers
$275
Calla Wedding Blanket Niki Babouche Slippers
$210
Calla Niki Babouche Slippers
$210
Calla Niki Babouche Slippers
$210
Calla Mono Aili Babouche Slippers
$245
Calla Mono Aili Babouche Slippers
$245
Meet the Maker:
Calla
Paris-based Calla Haynes started her collection in 2010 following stints alongside Olivier Theyskens at Rochas and Nina Ricci. After pausing production, she found herself with an enormous collection of textiles – many plucked from her archive, with others collected from esteemed houses and ateliers across France and Italy. Confronted with the amount of waste that already existed in the industry, she was adamant that her next step would be a meaningful one, so decided to repurpose them the Berber way.
