Astier de Villatte - Peggy Soliflore Vase - - ABASK
Astier de Villatte - Peggy Soliflore Vase - - ABASK -
Astier de Villatte - Peggy Soliflore Vase - - ABASK
Astier de Villatte - Peggy Soliflore Vase - - ABASK

Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase

€152
Astier de Villatte - Peggy Soliflore Vase - - ABASK -

Peggy Soliflore Hand-Glazed Ceramic Vase17cm (h) x 7.5cm (d) / 6.6" (h) x 2.9" (d)

€152
Astier de Villatte - Peggy Soliflore Round Vase - - ABASK -

Peggy Soliflore Hand-Glazed Ceramic Round Vase21cm (h) x 9cm (w) / 8.2" (h) x 3.5" (w)

€160
Astier de Villatte - Peggy Hand-Glazed Ceramic Vase - - ABASK -

Peggy Hand-Glazed Ceramic Vase17cm (h) x 9cm (w) / 6.6" (h) x 3.5" (w)

€164
Each collection by Astier de Villatte is made with love (and plenty of joy) in the Parisian workshop, where designs are intended to be an extension of their maker’s mood that day. Beautiful with or without blooms, the Peggy vase is an elegant, graceful addition to the home. While variations in the milky-white glaze are a natural result of the handmade process, they’re also entirely intentional and reflective of the founders’ love for all-things imperfect.

View more from: Astier de Villatte / Vases

Each collection by Astier de Villatte is made with love (and plenty of joy) in the Parisian workshop, where designs are intended to be an extension of their maker’s mood that day. Beautiful with or without blooms, the Peggy vase is an elegant, graceful addition to the home. While variations in the milky-white glaze are a natural result of the handmade process, they’re also entirely intentional and reflective of the founders’ love for all-things imperfect.

View more from: Astier de Villatte / Vases

Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase

€152

You might also like

More from Vases
More from Vases

More from Astier de Villatte

More from Astier de Villatte
More from Astier de Villatte

Meet the maker:

Astier de Villatte

Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.