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Astier de Villatte Peggy Hand-Glazed Ceramic Teapot

US$300

Peggy Hand-Glazed Ceramic Teapot26cm (l) x 10.5cm (w) x 12.5cm (h) / 10.2" (h) x 4.1" (w) x 4.9" (l)

US$300

Peggy Hand-Glazed Ceramic Sugar Bowl10cm (l) x 9cm (w) x 10cm (h) / 3.9" (h) x 3.5" (w) x 3.9" (l)

US$188

Peggy Hand-Glazed Ceramic Raised Oval Platter18.5cm (h) x 30.7cm (l) x 12.9cm (w) / 7.2" (h) x 12.0" (w) x 5.0" (l)

US$265

Peggy Hand-Glazed Ceramic Large Raised Bowl22cm (h) x 32cm (d) / 8.6" (h) x 12.5" (d)

US$525

Each collection by Astier de Villatte is made with love (and plenty of joy) in the Parisian workshop, where designs are intended to be an extension of their maker’s mood that day. The Peggy teapot is an elegant, graceful addition to the home. While variations in the white glaze are a natural result of the handmade process, they’re also entirely intentional and reflective of the founders’ love for all things imperfect.

View more from: Astier de Villatte / Coffee & tea

Back in stock

Each collection by Astier de Villatte is made with love (and plenty of joy) in the Parisian workshop, where designs are intended to be an extension of their maker’s mood that day. The Peggy teapot is an elegant, graceful addition to the home. While variations in the white glaze are a natural result of the handmade process, they’re also entirely intentional and reflective of the founders’ love for all things imperfect.

View more from: Astier de Villatte / Coffee & tea

Back in stock

Astier de Villatte Peggy Hand-Glazed Ceramic Teapot

US$300

Meet the maker:

Astier de Villatte

Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.