Z.d.G Ramatuelle Bamboo Hand-Painted Ceramic Charger Plates (Set of 2)
Bs3,500
Astier de Villatte Rien Hand-Glazed Ceramic Large Plate
Bs795
Rien Hand-Glazed Ceramic Large Plate31.5cm (d) / 12" (d)
Bs795
Rien Hand-Glazed Ceramic Side Plate13.5cm (d) / 5" (d)
Bs595
Rien Hand-Glazed Ceramic Deep Plate19cm (d) / 7" (d)
Bs650
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Minimal by name, minimal by nature, the Rien collection from Astier de Villatte – which translates from French to ‘nothing’ – highlights the beauty in paring things back. The pieces vary in thickness and shape, with irregularities in the white glaze that drive home the handmade design story. On the base, you’ll find a faint mark of the maker’s initials, reminding you that one pair of hands nurtured this large plate from start to finish.
View more from: Astier de Villatte / Charger plates
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Minimal by name, minimal by nature, the Rien collection from Astier de Villatte – which translates from French to ‘nothing’ – highlights the beauty in paring things back. The pieces vary in thickness and shape, with irregularities in the white glaze that drive home the handmade design story. On the base, you’ll find a faint mark of the maker’s initials, reminding you that one pair of hands nurtured this large plate from start to finish.
View more from: Astier de Villatte / Charger plates
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More from Astier de Villatte
Astier de Villatte Folk Hand-Glazed Ceramic Vase
Bs2,300
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Vase
Bs1,250
Astier de Villatte Peggy Hand-Glazed Ceramic Large Raised Bowl
Bs3,650
Astier de Villatte Peggy Hand-Glazed Ceramic Raised Oval Platter
Bs1,850
Astier de Villatte Peggy Soliflore Hand-Glazed Ceramic Round Vase
Bs1,350
Astier de Villatte Peggy Hand-Glazed Ceramic Teapot
Bs2,100
Astier de Villatte Peggy Hand-Glazed Ceramic Vase
Bs1,350
Astier de Villatte Peggy Hand-Glazed Ceramic Sugar Bowl
Bs1,300
Meet the maker:
Astier de Villatte
Old friends Ivan Pericoli and Benoît Astier de Villatte met at the prestigious École des Beaux-Arts in Paris, leading to the launch of Astier de Villatte in 1996. Since the beginning, they’ve been charmed with ideas of the imperfect, finding beauty in uneven glazes, dark pockmarks and subtle ripples. But these details only emphasise the craft tale behind each piece – stories that start with a single sheet of black terracotta clay extracted from Parisian quarries. They follow traditional Roman methods to bring each ‘dream object’ to life, shaping and inscribing each one with the potter’s initials and finishing with a high-shine white porcelain glaze.
